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Anthologies Index Anthology Contents & Reviews by Title: - W - |
Interestingly enough for a fantasy novel, all these stories take place in historical earth settings (albeit ones in which magic actually works). In a couple of cases either "warrior" or "enchantress" is rather a stretch for the female protagonist. Many of the stories have priestesses as their protagonists. A quick read. -- lq, 5/13/97
Introduction, by Elizabeth Ann Scarborough
My Princess, by Elizabeth Moon
Marimba: A Retelling, by Janet Berliner
Hunger, by Nina Kiriki Hoffman
Boudicca, by Morgan Llywelyn
Pestilence, by Michael Scott
Three-edged Choice, by Ru Emerson
The Jewel of Locaria, by Jacey Bedford
Warrior of Ma-at, by Kathleen M. Massie-Ferch;
Common Ground, by John Helfers;
Twelve-Steppe Program, by Esther M. Friesner;
The Road to Vengeance, by Mickey Zucker Reichert;
The Dreamway Princess, by Bill Ransom;
Become a Warrior, by Jane Yolen;
Golden Years, by Lea M. Day;
The Sword of Undeath, by Felicia Dale;
The Little Landmaid, by Sara Young;
She Wants Things, by Bruce Holland Rogers;
One Tree Hill, by R. Davis;
Strays, by Megan Lindholm; and
Debriefing the Warrior/Princess, by Elizabeth Ann Scarborough.
Includes:
Introduction, Rosemary Jackson
Proem: The Immortal, Ellen Glasgow
The Long Chamber (1914), Olivia Howard Dunbar
A Ghost Story (1858), Ada Trevanion
Luella Miller (1902), Mary E. Wilkins Freeman
What Did Miss Darrington See? (1870), Emma B. Cobb
La Femme Noir (c. 1850), Anna Maria Hall
A Friend in Need (1981), Lisa Tuttle
Attachment (1974), Phyllis Eisenstein
Dreaming the Sky Down (1988), Barbara Burford
The Sixth Canvasser (1916), Inez Haynes Irwin
An Unborn Visitant (1932), Vita Sackville-West
Tamar (1932), Lady Eleanor Smith
There and Here (1897), Alice Brown
The Substitute (1914), Georgia Wood Pangborn
The Teacher (1976), Luisa Valenzuela
The Ghost (1978), Anne Sexton
Three Dreams in a Desert (1890), Olive Schreiner
The Fall (1967), Armonía Somers
Pandora Pandaemonia (1988), Jules Faye
The Doll (1927), Vernon Lee
The Debutante (1939), Leonora Carrington
The Readjustment (1908), Mary Austin
Clay-Shuttered Doors (1926), Helen R. Hull
Since I Died (1873), Elizabeth Stuart Phelps
The Little Dirty Girl (1983), Joanna Russ
Envoi: For Emily D.
Recommended Reading
Acknowledgements
Winner of 1989 Lambda Literary Award for Best Lesbian Science Fiction /
Fantasy
This anthology is not a feminist anthology; rather, Moskowitz does a survey of different types of matriarchal societies, including explicitly anti-feminist societies. He has a nice introduction surveying even more literature. - lq, 9/6/99
Includes:
"Introduction";
"The Girl with the Cloak" by Julia Older;
"Mara" by Lois Metzger;
"Cowboys" by Carole Rosenthal;
"Little Tales from Nature" by Joanna Russ;
"A Miracle and Other Solutions" by Carole Rosenthal;
"Suffering Machines" by Margaret Kingery;
"Every Girl's Dream" by Jennifer Malik;
"Dialect of the Data Disk" by Celeste Newbrough;
"Zero Sum Game" by Claudia Lamperti and Jennifer Malik;
"The Devil We Know" by Eileen Kernaghan;
"To Market, To Market" by Josephine Saxton;
"The Turning" by Elaine McKay Smith; and
"Without a Daughter" by Claudia Lamperti.
Ten famous sf stories written by women, with female protagonists; originally published in Analog or Asimov's.
Dedication: "To the trailblazing women in science fiction who marked the way for the rest of us."
Includes: "Introduction: Women's Lib, 'The Liberation,'
and the Many Other Liberations of Science Fiction" by Connie
Willis; Introduction by Katheryn Ptacek Includes: An anthology of criticism and science fiction.
Includes: Volume 2 of Susanna Sturgis' "Women's Fantasy and Science
Fiction" series. See also Volume 1, Memories and Visions. Includes Cathy Hinga Haustein, "Earth and Sky Words"; Rosalind
A. Warren, "The Inkblot Test"; Deborah H. Fruin, "New Age Baby"; Phyllis
Ann Karr, "Night of the Short Knives"; L. Timmel Duchamp, "The Forbidden
Words of Margaret A."; G. K. Sprinkle, "Road Runner"; Cleo Kocol, "Picnic
Days"; Elaine Bergstrom, "Net Songs"; Carol Severance, "Shark-Killer"; J.
L. Comeau, "Firebird"; Eleanor Arnason, "A Ceremony of Discontent";
Merrill Mushroom, "Mamugrandae -- The Second Tale"; Rachel Pollack, "The
Girl Who Went to the Rich Neighborhood"; Ginger Simpson Curry, "Sahrel
Short Swords"; Lucy Sussex, "My Lady Tongue"; Ruth Shigezawa, "Hills of
Blue, an Orange Moon"; and an Introduction by the editor.
Includes: "Introduction" by Pamela Sargent;
"No Woman Born" by C. L. Moore;
"That Only a Mother" by Judith Merril;
"Contagion" by Katherine MacLean;
"The Woman from Altair" by Leigh Brackett;
"Short in the Chest" by Margaret St. Clair;
"The Anything Box" by Zenna Henderson;
"Death Between the Stars" by Marion Zimmer Bradley;
"The Ship Who Sang" by Anne McCaffrey;
"When I Was Miss Dow" by Sonya Dorman Hess;
"The Food Farm" by Kit Reed;
"The Heat Death of the Universe" by Pamela Zoline;
"The Power of Time" by Josephine Saxton;
"False Dawn" by Chelsea Quinn Yarbro;
"Nobody's Home" by Joanna Russ;
"The Funeral" by Kate Wilhelm;
"Of Mist, and Grass, and Sand" by Vonda McIntyre;
"The Women Men Don't See" by James Tiptree, Jr.;
"The Warlord of Saturn's Moons" by Eleanor Arnason;
"The Day Before the Revolution" by Ursula K. Le Guin;
"The Family Monkey" by Lisa Tuttle;
"View from a Height" by Joan D. Vinge;
About the Authors;
About the Editor;
Recommended Reading: Science Fiction by Women, 1818-1978.
See also:
Women of Wonder This volume includes:
"Introduction" by Pamela Sargent;
"Cassandra" by C. J. Cherryh;
"The Thaw" by Tanith Lee;
"Scorched Supper on New Niger" by Suzy McKee Charnas;
"Abominable" by Carol Emshwiller;
"Bluewater Dreams" by Sydney J. Van Scyoc;
"The Cabinet of Edgar Allan Poe" by Angela Carter;
"The Harvest of Wolves" by Mary Gentle;
"Bloodchild" by Octavia E. Butler;
"Fears" by Pamela Sargent;
"Webrider" by Jayge Carr;
"Alexia and Graham Bell" by Rosaleen Love;
"Reichs-Peace" by Sheila Finch;
"Angel" by Pat Cadigan;
"Rachel in Love" by Pat Murphy;
"Game Night at the Fox and Goose" by Karen Joy Fowler;
"Tiny Tango" by Judith Moffett;
"At the Rialto" by Connie Willis;
"Midnight News" by Lisa Goldstein;
"And Wild for to Hold" by Nancy Kress;
"Immaculate" by Storm Constantine;
"Farming in Virginia" by Rebecca Ore;
About the Authors;
About the Editor;
Recommended Reading: Science Fiction by Women, 1979-1993.
See also:
Women of Wonder The premise was for women sf writers to write a story "not about a
man's actions, not using him as a main character, but as a man"; that
"each story had to be told in the first person of a man; and second, if changing
the narrator from Victor to Victoria didn't invalidate the story we didn't want
it." -- from Resnick's Introduction.
Includes: Introduction by Mike Resnick; Includes "Harper Conan and Singer David" by Edgar Pangborn;
"Houston, Houston, Do You Read?" by James Tiptree, Jr.; "To Keep the
Oath" by Marion Zimmer
Bradley; "Do Androids Dream of Electric Love?" Walt Liebscher;
"Lollipop and the Tar Baby" by John Varley; "The Mystery of the Young
Gentleman" by Joanna Russ; "The
Gods of Reorth" by Elizabeth A.
Lynn; "Find the Lady" by Nicholas Fisk; "No Day Too Long" by Jewelle
Gomez; "Full Fathom Five My Father Lies" by Rand B. Lee; "Time Considered
as a Helix of Semi-Precious Stones" by Samuel R. Delany; About the
Contributors (313-318); and Acknowledgements (319).
"Inertia" by Nancy Kress;
"Even the Queen" by Connie Willis;
"Fool's Errand" by Sarah Zettel;
"Rachel in Love" by Pat Murphy;
"Of Mist, and Grass, and Sand" by Vonda McIntyre;
"The July Ward" by S. N. Dyer;
"The Kidnapping of Baroness 5" by Katherine MacLean;
"Speech Sounds" by Octavia Butler;
"The Ship Who Mourned" by Anne McCaffrey;
"A Woman's Liberation" by Ursula K. Le Guin;
"Original horror and dark fantasy by contemporary women
writers"
"Baby" by Kit Reed;
"Ransom Cowl Walks the Road," by Nancy Varian Berberick;
"True Love," by Patricia Russo;
"In the Shadows of My Fear," by Joan Vander Putten;
"The Spirit Cabinet," by Lisa Tuttle;
"Hooked on Buzzer," by Elizabeth Massie;
"Little Maid Lost," by Rivka Jacobs;
"Mother Calls, But I Do Not Answer," by Rachel Cosgrove Payes;
"Nobody Lives There Now. Nothing Happens." by Carol Orlock;
"The Baku," by Lucy Taylor;
"The Devil's Rose," by Tanith Lee;
"Midnight Madness," by Wendy Webb;
"Monster McGill," by Cary G. Osborne;
"Aspen Graffiti," by Melanie Tem;
"Sister," by Wennicke Eide Cox;
"Samba Sentado," by Karen Haber;
"When Thunder Walks," by Conda V. Douglas;
"Slide Number Seven," by Sharon Epperson;
"The Unloved," by Melissa Mia Hall; and
"Cannibal Cats Come Out Tonight," by Nancy Holder.
A second volume of all-original stories selected by
Ptacek to showcase contemporary women horror writers.
Introduction, by Katheryn Ptacek;
"The Co-Op," by Melanie Tem;
"Fruits of Love," by Chelsea Quinn Yarbro;
"Sara and the Slime Creature," by Resa Nelson;
"Just Idle Chatter," by Jean Pavia;
"Act of Love," by Kristl Volk Franklin;
"Arc Light," by Lisa W. Cantrell;
"The Pit," by Patricia Ramsey Jones;
"A Rainy Evening in Western Illinois," by Rebecca Lyons;
"Coming Back," by Ginger LaJeunesse;
"I Know What To Do," by Yvonne Navarro;
"The Drought," by Lois Tilton;
"The Nightmare's Tale," by Tanith Lee;
"He Whistles Far and Wee," by Kiel Stuart;
"Dirty Pain," by Lisa Swallow;
"Last Echoes," by Janet Lorimer;
"Daddy's Coming Home," by Lynn S. Hightower;
"A Touch of the Old Lilith," by Nina Kiriki Hoffman; and
"Footprints in the Water," by Poppy Z. Brite;
Acknowledgments (ix);
Preface, by Helen Merrick and Tess Williams (xiii);
Introduction, by Jeanne Gomoll (1);
"An envoy from Senectutus: Wiscon 20 guest of honour speech," by
Ursula K. Le Guin (12);
"Handwork" by Rebecca Marjesdatter (fiction) (p. 20);
"The small black box of morality" by Eleanor Arnason
(fiction) (p. 24);
"Reading piebald patterns in Le Guin's The Left Hand of
Darkness" by Ellen Peel (p. 29);
"And she was the word" by Tess Williams (fiction) (p. 41);
"Of women and wonder: a conversation with Suzy McKee Charnas" by
Bill Clemente (p. 60);
"A beauty, a phantom, and two talking heads: the psychology of
confinement in Suzy McKee Charnas' 'Beauty and the Opera'" by Jennifer
Stevenson (p. 82);
"Notes of a border crosser" by Susanna Sturgis (p. 102);
"From female man to feminist fan: uncovering 'herstory' in the
annals of sf fandom" by Helen Merrick (p. 115);
"A non-traveller spends a month away from home" by Jessica Amanda
Salmonson (p. 140);
"And Salome danced" by Kelley Eskridge (fiction) (p. 147);
"The erotics of gender ambiguity: a Fem-SF symposium" compiled by
Helen Merrick (p. 162);
"The kidnapping of Baroness 5" by Katherine MacLean (fiction) (p.
184);
"Of synners and brainworms: feminism on the wire" by Rebecca
Holden (p. 209);
"Home by the sea" by Elisabeth Vonarburg (fiction) (p. 228);
"Writing from the body" by Nicola Griffith (p. 247);
"A habit of waste" by Nalo Hopkinson (fiction) (p. 261);
"Octavia Butler's Parable of the Sower: one alternative to
to a futureless future" by Lisbeth Gant-Britton (p. 277);
Excerpt from The freedom maze by Delia Sherman (fiction)
(p. 295);
"Hush my mouth" by Suzette Haden Elgin (fiction) (p. 309);
"The onion skin theory of identity, the paint pot theory of
gender, and the Blu-tack theory of position" by Rosaleen Love
(p. 319);
"The universe of things" by Gwyneth Jones (fiction) (p. 329);
"Illusion and expectation: the baking of a science fiction
award" by Pat Murphy (p. 342);
"Ideologically labile fruit crisp" by Eileen Gunn (recipe &
commentary) (p. 351);
"Tiptree stories" by Justine Larbalestier (p. 355);
"The Marianas Islands" by Karen Joy Fowler (fiction) (p. 370);
"Letterspace: in the chinks between published fiction and
published criticism" by Lois McMaster Bujold and Sylvia Kelso (p.
383);
"Dvorzjak symphony" by Candas Jane Dorsey (fiction) (p. 410);
"She undoes" by Greer Gilman (fiction) (p. 419);
"Better to have loved: exerpts from a life" by Judith Merril
(biography) (p. 422);
Supplementary bibliography: Select list of additional critical
resources on feminist SF (p. 443);
Selected list of feminist SF (p. 462).
"The first original anthology of military SF by women"
Includes "Introduction" by Lois McMaster Bujold;
"Introduction" by Roland J. Green;
"The Purge" by Jennifer Stevenson;
"Traitor" by R. M. Meluch;
"A Few Good Men" by Holly Lisle;
"Sitting Shiva" by Judith Tarr;
"Homecoming" by Mickey Zucker Reichert;
"The One-Armed Queen" by Jane Yolen;
"For the Right Reason" by Sydney Long;
"A Matter of Faith" by Juanita Coulson;
"First Communion" by Elizabeth Ann Scarborough;
"Edge of the Sword" by Susan Booth;
"The Heart of the Hydra" by Gay Marshall;
"White Wings" by P. J. Beese;
"Flambeaux" by Adrienne Martine-Barnes;
"Notes During a Time of Civil War" by Margaret Ball;
"Fugitives" by P. N. Elrod;
"Lizard" by P. M. Griffin;
and "Hand to Hand" by Elizabeth Moon.
"Fifteen original tales of women who are or become warriors, facing challenges in the
many realms of fantasy and science fiction"
"Introduction" by Tanya Huff & Alexander Potter;
"Fighting Chance" by Sharon Lee & Steve Miller;
"Painted Child of Earth" by Rosemary Edghill;
"She's Such a Nasty Morsel" by Julie E. Czerneda;
"The Children of Diardin: To Find the Advantage" by Fiona Patton;
"Not That Kind of a War" by Tanya Huff;
"The Black Ospreys" by Michelle West;
"The Art of War" by Bruce Holland Rogers;
"Geiko" by Kerrie Hughes;
"Shin-Gi-Tai" by Robin Wayne Bailey;
"The Last Hand of War" by Jana Paniccia;
"War Games" by Lisanne Norman;
"Fire from the Sun" by Jane Lindskold;
"Sweeter Far Than Flowing Honey" by Stephen Leigh;
"Token" by Anna Oster;
"Elites" by Kristine Kathryn Rusch
Includes Pam Keesey, "Introduction"; Charlee Jacob, "Permafrost";
Suzy McKee Charnas, "Boobs"; Judy Brewer, "Moon Running"; Renee M.
Charles, "A Model of Transformation"; Steve Eller, "The Final Truth";
Ursula K. Le Guin, "The Wife's Story"; Paul Allen, "Teamwork"; Thomas S.
Roche, "Sisters of the Weird"; Barbara J. Ferrenz, "The Change"; Jeremy E.
Johnson, "Euphorbia Helioscopia"; Tom Piccirilli, "The Hound of God";
Pamela J. Jessen, "Visitation"; Mari Hersh-Tudor, "A Wilder Truth";
Michael W. Lucas, "Breaking the Circle"; Melanie Tem, "Wilding"; About the
Authors; About the Editor.
"Science fiction stories by women about women"
Women of Wonder includes "Introduction: Women and Science Fiction"
by Pamela Sargent, "The Child Reams" by Sonya Dorman, "That Only a Mother"
by Judith Merril, "Contagion" by Katharine MacLean, "The Wind People" by Marion
Zimmer Bradley, "The Ship Who Sang" by Anne McCaffrey, "When I Was Miss
Dow" by Sonya Dorman, "The Food Farm" by Kit Reed, "Baby, You Were Great"
by Kate Wilhelm, "Sex and/or Mr. Morrison" by Carol Emshwiller, "Vaster Than
Empires and More Slow" by Ursula
K. Le Guin, "False Dawn" by Chelsea Quinn Yarbro, "Nobody's Home" by Joanna
Russ, and "Of Mist, and Grass, and Sand" by Vonda N. McIntyre.
See also:
More Women of Wonder
The New Women of Wonder
Women of Wonder: The Classic Years
Women of Wonder: The Contemporary
Years
Three original Women of Wonder anthologies were revised and
reissued in two volumes, as Women of Wonder: The Classic Years and
Women of Wonder: The Contemporary Years.
More Women of Wonder
The New Women of Wonder
Women of Wonder: The Contemporary
Years
Three original Women of Wonder anthologies were revised and
reissued in two volumes, as Women of Wonder: The Classic Years and
Women of Wonder: The Contemporary Years.
More Women of Wonder
The New Women of Wonder
Women of Wonder: The Classic Years
"Homecoming" by Kristine Kathryn Rusch;
"Big" by Leah A. Zeldes;
"Prayerville" by Janis Ian;
"Kingdom Come" by Kay Kenyon;
"Licensed to Reclaim" by Laura Resnick;
"Better Than Ants" by Barbara Galler-Smith;
"Blackbird, Fly!" by Linda J. Dunn;
"Call for Submissions" by Severna Park;
"All My Children" by Leslie What;
"What Goes Around" by Robyn Herrington;
"Thumping the Weaver" by Susan R. Matthews;
"Maxwell's Law" by Adrienne Gormley;
"Diving After Reflected Woman" by Terry McGarry;
"Sweeps Week" by Mercedes Lackey;
"A Good Idea at the Time" by Karen E. Taylor;
"Jesus Freaks" by Jennifer Roberson.
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